Los Angeles-based artist York Chang’s exhibition ​To Be Wrong with Infinite Precision​ probes how we make sense of the tumult of information we are confronted with today and decipher fact from fiction. By expanding, extracting, folding, reprinting, and re-contextualizing newspaper clippings, microfiche, and Polaroid photographs, he calls attention to how easily context and framing can shift meaning. Similarly, his​ Radio Booth​ (2019) created in collaboration with Daniel R. Small operates as both an archive and a platform for an ongoing performance that explores cognitive bias and tribalism in media.